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Description

Harman Red 125 is an ISO 125 redscale film engineered from the Phoenix 200 emulsion. Featuring a clear base and heightened red and green sensitivity, this film delivers the distinctive warm-toned aesthetic characteristic of redscale photography—rich reds, oranges, and yellows with minimal blue channel presence.

Redscale effects are achieved by exposing film through its base layer, reversing the typical color sensitivity sequence. The result is a warm, vintage-inspired palette ideal for creative color work and experimental photography. Ideal for 120 format cameras. Minimal speed loss ensures reliable exposure performance across a range of lighting conditions.

Exposure & Tonality:

How you expose Harman Red 125 shapes the character of your final image.

  • Underexposure emphasizes greens and shadows with visible grain structure. 
  • Standard exposure balances orange warmth with natural grain.
  • Overexposure pushes reds and oranges forward while refining grain and increasing contrast.
  • Experiment across the exposure range to discover your preferred aesthetic—each setting reveals different facets of the film's color palette.
  • 120/220

Photographers of all levels choose Photolab's excellence in film & digital services, full darkroom and our curated film supplies for over 50 years.

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Harman Red 125 Color Negative Film 120

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Description

Harman Red 125 is an ISO 125 redscale film engineered from the Phoenix 200 emulsion. Featuring a clear base and heightened red and green sensitivity, this film delivers the distinctive warm-toned aesthetic characteristic of redscale photography—rich reds, oranges, and yellows with minimal blue channel presence.

Redscale effects are achieved by exposing film through its base layer, reversing the typical color sensitivity sequence. The result is a warm, vintage-inspired palette ideal for creative color work and experimental photography. Ideal for 120 format cameras. Minimal speed loss ensures reliable exposure performance across a range of lighting conditions.

Exposure & Tonality:

How you expose Harman Red 125 shapes the character of your final image.

  • Underexposure emphasizes greens and shadows with visible grain structure. 
  • Standard exposure balances orange warmth with natural grain.
  • Overexposure pushes reds and oranges forward while refining grain and increasing contrast.
  • Experiment across the exposure range to discover your preferred aesthetic—each setting reveals different facets of the film's color palette.
  • 120/220

Photographers of all levels choose Photolab's excellence in film & digital services, full darkroom and our curated film supplies for over 50 years.